
Rehearse like it's live.
Because it is. Every show gets a run of show, a tech check and a rehearsal. Every cue is programmed before the doors open.
Emmy Award-winning·Network crews·Livestream·Hybrid·On site
Network television production for your town halls, launches, galas and livestreams. Led by Emmy Award winner Howie Zales, whose crews work the Super Bowl and the Olympics.
Your people watch the Super Bowl on Sunday. On Monday morning, they watch your town hall. They notice the difference.
Every company event is a broadcast now. The only question is whether it looks like one.
This is The Operator Mindset podcast opening an episode. It starts the way most company video looks today. Turn on what a broadcast crew adds, one switch at a time, or take it all to air at once. Turn the sound on to hear the difference.

Broadcast cameras. Real cameras, framed on purpose, and a director cutting between shots. The webcam is gone.
Howie Zales has worked the Super Bowl for NFL Network, Sunday Night Football for NBC, WrestleMania, the Summer and Winter Olympics, the NYC Marathon and the Triple Crown. He is an Emmy Award winner. Twenty-five years of live television, where there is no second take.

In 2001 he founded HJZ Productions to crew the biggest live broadcasts in American television: union crews, scheduling, travel and payroll for DAZN, WWE, AEW, MLS, NWSL, Apple TV, NBC Sports, PPL, Live Media Group and Ross Productions.

Viridity was co-founded by a team of television and business executives with one idea: companies, communities and brands deserve the same production discipline as a network show. When the world went remote, that idea kept the people who hired us connected.

Today Viridity produces live, hybrid and recorded shows for brands like T-Mobile, Capital One and Food Network. On site, fully remote, or both. Same discipline. Same standards.
Live television has no second take. So everything is planned, rehearsed and backed up before the red light comes on. We bring the same habits to your event, run by people who work that way every week.

Because it is. Every show gets a run of show, a tech check and a rehearsal. Every cue is programmed before the doors open.

Wide for context, tight for emotion. Framing is a decision, not an accident.
Microphones, mixing and levels handled by an audio professional, start to finish.
Names, titles and branding appear exactly when the audience needs them, and leave when they don't.
A second internet path, spare gear and a plan for every link in the chain. When something fails, the show doesn't.

One person calling every cut and cue, so your speakers only have to do one thing: talk.
Corporate events, LinkedIn Lives, fireside chats, galas, panels and entertainment productions. Every format we produce, on one switcher. Take any of them to program.

Leadership, live to every office and every home. Multiple cameras, questions from the room and from remote teams, and a recording for everyone who missed it.

A few of the shows behind the reel. Tap one to jump straight to it.
Television runs on a process built for nights when nothing can go wrong. Yours runs on the same one.
Your goals, your audience, your date, your room. We learn what the event has to accomplish before we talk about cameras.
Segments, speakers, graphics, timing and every cue, written down the way a network show is.
Broadcast operators and equipment sized to the job: on site, fully remote, or both.
Cameras, audio, graphics, backups and every stream destination checked before the doors open.
A director calls the show live. Your speakers only have to do one thing: talk.
The full recording, ready to use again, and edited highlights when you want them.











Through HJZ Productions, Howie’s crews work the biggest live broadcasts on
Tell us about the event. We will set up a tech call and walk through cameras, audio, graphics and where the show needs to go.
New clients: 10% off your first livestream production.
“The tools may change, but the operator mindset always stays the same.”